Boston’s Isabella Gardner Museum has a new face on, with the museum’s recent reopening after the addition of a new ultra-modern building designed by Renzo Piano. The new spaces serve to enhance the Gardner experience while preserving the trust’s mandate that the arrangement of the art must never change.
Thus the new building is a supplement, explainer, and facilitiator of all things “Gardner.” Better music performance space with the Catherwood Hall. Learning facilities for young wannabe artists and real studios for its resident art scholars. A special exhibition gallery. A large greenhouse acting as nursery and staging area for the atrium gardens. Offices for the Gardner staff. The “G café” that is open at all times. Finally there is the Living Room where you can be pre-oriented before touring the galleries or post-oriented if you have questions or your head is spinning following a gallery tour.

Gardner Atrium In Full Spring Bloom
In the museum itself, the tapestry room in newly restored. The atrium gardens are resplendent in bloom. Otherwise it is mostly the Gardner you know and love.
The empty frames from the world’s biggest art theft remain as reminders of the 1990 art heist in the Dutch Room. Therefore, in every gallery expect to be watched, told not be so close, to not touch anything and to keep your cell phones on silent-mode, un-answered and in your pocket.
Unlike ICA and the nearby MFA, the Gardner has not morphed or transformed from the uptight Boston of the early 20th Century. No touch, no photos at Gardner.
Victoria Morton’s quad of squares in the Special Exhibition Gallery are a vibrant, colorful contrast to the Gardner art collection itself, and wonderfully and selectively reflect the natural sunny light from the wall of windows that illuminate the gallery.

A Portion of Victoria Morton's Special Exhibition
The museum’s pre-opening publicity seem to have indicated that its first special exhibition from the Gardner collection will be a showing of its immense Anders Zorn etching collection. No date has been announced and the stunning collection of the very talented Zorn remains on the multiple “doors” of the second floor Short Gallery, many too far out of visual reach to be appreciated, and most hidden behind multiple door layers that have most visitors be totally unaware of the treasure.
In the museum, head directly to the second floor Short Gallery, discover the doors and explore your own Zorn show immediately At-Hand.
(Check out the full photo set on Flickr.)